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Joy S. Robinson


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Wilmington

Emerging
Folk Art: Craft

By Christopher Yasiejko

Among Joy Robinson’s earliest memories is a day when she was about 3 years old. She was in a room with her aunts, who were collaborating on a “healing quilt.”

“I wanted to know what they were doing, and they were showing me,” Robinson says. “They wouldn’t let me touch, though. That was about the first time I felt like I was included, and I felt like I was an active participant in this world of fabric.”

Jou Jou Bag, June 2010, fiber, 16" x 20"
Jou Jou Bag, June 2010, fiber, 16″ x 20″

Robinson, of Wilmington, is native of Philadelphia with roots in Eritrea, Portugal, and Sierra Leone. She spent many summers at her maternal grandfather’s home on St. Helena Island, S. C., and for a time raised her children there. While in South Carolina, she dipped into her Gullah heritage and her natural environment to find inspiration for her works in fiber.

Jou Jou Night Queen, September 2010, brocade silk fiber-black velvet, 18" in length
Jou Jou Night Queen, September 2010, brocade silk fiber-black velvet, 18″ in length

Years earlier, Robinson learned from the Miccosukee of southeastern Florida about textiles, beading, pictorial linguistics and weaving. She was raised in a family of seamstresses, basket-weavers, quilters and doll-makers. By 17, she was a seasoned potter and builder of kilns.

“I gravitated more toward fashion,” she says of her younger days. “I wanted to do the fashion thing, but I came back, as they say, to my home.”

She has come full-circle, embracing her notion that folk artists were “the first recyclers,” plucking discarded items and injecting new life.

The Sisters, September 2010, Batik fabric fiber, 16" in length, June 2010, fiber, 16" x 20"
The Sisters, September 2010, Batik fabric fiber, 16″ in length, June 2010, fiber, 16″ x 20″

“As artisans, as generations go on, we take from the past and we make it our own,” says Robinson, 41. “It’s just a natural current.”

It also is the way one of her latest projects, a life-sized, pointed-bottom female doll called a Jou Jou Mama, was born. (“Jou Jou,” of West African origin, refers to supernatural power ascribed to an object.)

“The very form of this doll is ancient,” Robinson says. “I don’t know what culture could claim her, because we know that symbol goes way back, from ancient Samaria to ancient Egypt. And so I tweaked her a bit. It’s a natural thing for artists to reach back and to bring what was then and to incorporate what is new.”

She intends to use the Division’s grant to complete the Jou Jou Mama doll, versions of which she typically renders smaller, and perhaps to create more. Robinson then wants to put up for auction the life-sized Jou Jous, with proceeds going to Delaware nonprofit arts organizations. “We as artisans, I feel,” she says, “have an obligation to give back in whatever way we can give back.”


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