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Landscapes rendered in pastel are his passion, but as the exhibitions director of the Rehoboth Beach Art League until Spring 2012, Nicholas Serratore spent the bulk of his time tending to other artists and their work. His day job kept him tethered to the arts, but that’s not necessarily enough for such a creative type.
“It’s a struggle sometimes, because during the week, there are plenty of times when I want to go down to the studio when I get home from work, but I just don’t even want to look at anything. I don’t want to look at an easel, I don’t want to look at pastels, but I definitely paint every single weekend. It’s my time.”
He will continue to help out at the Art League part time over the summer, but once fall arrives, he will be a full-time artist, working out of his home’s basement studio, a cinderblock-encased bastion that, though messy, offers him plenty of room to spread out.
After he graduated from art school, Serratore was sucked into the job search and didn’t paint for several years. But a move to Lewes in the mid-1990s jump-started his artistic passions.
He had been schooled in many mediums, but he found himself fascinated with pastels. He decided he’d work strictly with them until he felt he’d mastered the method.
“And I’ve been working with it ever since,” he says. “I’m afraid to give it up.”
That’s not to say he doesn’t explore other mediums during spare moments. He’s been working on abstract art, for example, with acrylics and collages.
“No one’s seen them yet,” Serratore says. “I kind of alternate. So I’ll work on the pastels, and I’ll get an idea, and usually when I start a pastel, I won’t stop till I’m finished. But after that, I’ll take a break for a little bit of time and work on these other ideas that I’ve had. These are things that I’ve always wanted to do but never did, and I’m finally doing them now.”
His pastels, meanwhile, often are ethereal, softly focused, even foggy. A colleague once described them as “atmospheric.” That fits Serratore’s intention — with each work, he aims to capture some sort of feeling, and he finds that such hazy elements, such abstract quality, help evoke viewers’ emotions.
“I always try to give it a hint of something mellow,” he says.
The very nature of pastels, he says, lends a soft quality to scenes.
“There’s no reason for me to paint anything that’s hard-edge or chaotic,” he says. “It has to be done in a subtle way.”
And so his landscapes, dreamlike and varying in points of perspective, draw as much from his own experience as from the photographs he takes at each locale.
“It’s easy to paint what you see,” Serratore says, “but what you really want to do is paint what you feel.”
The Division’s grant has allowed him to be more creative with the presentation of his pastels — he’s invested, for instance, in frames. His show, which he plans to call “Walk with Me,” opens Dec. 7 in the Mezzanine Gallery at the Carvel State Office Building.
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